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A sequel of sorts, the Jewish ethnic comedy characters of Potash and Perlmutter return from their 1923 debut film, also produced by Goldwyn, but with a different actor for Potash.
In the year 1550, Sir George Vernon agrees to have his young daughter Dorothy betrothed to John Manners, the son of the Earl of Rutland. Sir George signs a contract, promising that the marriage will take place on Dorothy's 18th birthday, or else he will have to pay a large penalty to Rutland. But when the two children have grown older, rumors of John's wild behavior in France provoke Sir George to call off the engagement, and to pledge his daughter instead to her cousin Malcolm. Rutland now claims the forfeit from Sir George, and meanwhile, John has befriended Mary Stuart, the sworn enemy of Elizabeth, who is now Queen of England.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).